Paul McCartney’s “My Valentine” 


Lolita , 1962

Lolita , 1962

(Source: ryangossling, via girlinlondon)

People staring at me.

People staring at me find my hair weird: too hard and frizzy, too dry and nappy, just like a clown wig. They don’t know that my hair shaft is woven as my mood bristles, freezes or interferes with the virtue of my vice, in the distress mistress of my tresses

People staring at me find my ears distorted: with disproportionate lobes and eardrums that work in slow motion, maybe because they’re saturated with, all the atrocities they hear everyday. They don’t know that my ears have walls, sensitive and aware, that open up or close, as I’m being incensed, consoled or insulted. 

People staring at me find my nose too flat: almost shrivelled, with nostrils dilated like bottomless throats. But they don’t know that the humus lining my nasal walls filters the harmful heat of their bourgeois pollution. So me, the more I breathe in, the more my filter savors the electrical liters of ether.

People staring at me find my mouth too big: my lips too thick like bodies we fatten up. With crooked teeth, like a cat’s jaw, and a foreign tongue that would only know how to say: “Screw you b*tch!.” - They don’t know that it is everything but a sewer drain… Sure, it is noisier than Mozart’s piano drunk with melodic rhymes. Sure, it opens up only to talk about misery or dreams, but at the end of the day, it always takes an titanic bite out of life’s flesh. 

People staring at me think that my head is a sort of rugby ball: with features sadly inordinate like a hybrid skeleton. But they don’t know that I’ve never known how to comply to the norms: like a metronom a race would’ve fixed. My head is still high, soaring proudly in the wind, and would only stoop to greet the greats with respect.

But am I stupid? Of course!

People staring at me often have really shiny hair (because they’re worth it?), superbly erect ears, a thin nose, plain lips and a color that doesn’t look like mine. They love to mirror themselves in your absurd smiles. They love everything about them, from the hair on their head to the warmth of their lips. They are never ghastly, like the emblem of this anathema they throw in the form of a glance on my face, a little too pale, a little too dark, a little too dirty to deserve their crystal universe. 

People staring at me misrepresent me. 

But, fortunately, I still have my eyes… my eyes… my eyes… 

To cry?


- Imperfectly yours

Couldn’t help but laugh out loud at this. But the countless racist and idiotic things I’ve read about Rue being cast as a black girl in the movie adaptation of “The Hunger Games” over the past few days, honestly shocked and tremendously infuriated me. And not only because I’m black. 
You’d think that after all these years, we would’ve gotten over it but, no. Racism is real and has gone nowhere. It’s still deeply woven in every aspect of our societies. But you know what I think is the saddest thing about it? That most of these comments were actually made by young people. We. The ones that grew up in mixed communities. That didn’t necessarily understand the magnitude of racism back in our grandparents’ days because from a young age, we were taught to look at the kid next to us in kindergarten, as an individual, not a color. Us. The ones supposed to lead future generations towards a racism free society, in just a few decades.
Is their disgusting hatred thrown at a 12 Y.O ADORABLE GIRL - or shall I say “surprise” - coming from the fact that three admirable characters they rooted and cried for while reading the book, happen to be black? So basically, we only get to be supporting characters, the ones that die first, top police heads, the villains, but not heroes? Can black people only exist in books if the author throws some basic steorotypes in their characteristics? Because let us be clear. If Rue was somehow described as being a little ghetto-sassy-thief-diva-bitch, Thresh as a thug who plays basketball wearing big hoodies, and Cinna as an ex-convict who can rap but looks like an ape, I have a feeling this myriad of ignorant comments would’ve never seen the light. Or simply, if they were cast as white. 
My favorite tweet has got to be: “Sense when has Rue been a nigger.” 
Oh well. It was written in the book. But in a corner of your narrow mind the words “dark skin” automatically meant “tanned”.
Rue is just an example among thousands, each of them even more revolting than the other. This happens everywhere, everyday. This happens to me, to my friends, to my family. It’s the little things, the little words, the little gestures in the street, at the mall, in school. And I’m not going to lie, I do most of the time feel completely powerless. But should I throw my anger at every other race? Should I despise and feel nothing but pity for them? Should I try to be more like them, to fit in? No. Thank God, I know I’m better than that. So for now I’ll just stick to writing long Tumblr posts about it. 
Imperfectly yours,
Annie M. 

Couldn’t help but laugh out loud at this. But the countless racist and idiotic things I’ve read about Rue being cast as a black girl in the movie adaptation of “The Hunger Games” over the past few days, honestly shocked and tremendously infuriated me. And not only because I’m black. 

You’d think that after all these years, we would’ve gotten over it but, no. Racism is real and has gone nowhere. It’s still deeply woven in every aspect of our societies. But you know what I think is the saddest thing about it? That most of these comments were actually made by young people. We. The ones that grew up in mixed communities. That didn’t necessarily understand the magnitude of racism back in our grandparents’ days because from a young age, we were taught to look at the kid next to us in kindergarten, as an individual, not a color. Us. The ones supposed to lead future generations towards a racism free society, in just a few decades.

Is their disgusting hatred thrown at a 12 Y.O ADORABLE GIRL - or shall I say “surprise” - coming from the fact that three admirable characters they rooted and cried for while reading the book, happen to be black? So basically, we only get to be supporting characters, the ones that die first, top police heads, the villains, but not heroes? Can black people only exist in books if the author throws some basic steorotypes in their characteristics? Because let us be clear. If Rue was somehow described as being a little ghetto-sassy-thief-diva-bitch, Thresh as a thug who plays basketball wearing big hoodies, and Cinna as an ex-convict who can rap but looks like an ape, I have a feeling this myriad of ignorant comments would’ve never seen the light. Or simply, if they were cast as white. 

My favorite tweet has got to be: Sense when has Rue been a nigger.” 

Oh well. It was written in the book. But in a corner of your narrow mind the words “dark skin” automatically meant “tanned”.

Rue is just an example among thousands, each of them even more revolting than the other. This happens everywhere, everyday. This happens to me, to my friends, to my family. It’s the little things, the little words, the little gestures in the street, at the mall, in school. And I’m not going to lie, I do most of the time feel completely powerless. But should I throw my anger at every other race? Should I despise and feel nothing but pity for them? Should I try to be more like them, to fit in? No. Thank God, I know I’m better than that. So for now I’ll just stick to writing long Tumblr posts about it. 

Imperfectly yours,

Annie M. 

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Her past was waiting for her, and that was certainly the most terrifying of all futures.

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tinylazything:

Yet now I beg your forgiveness. I know no other way to be reconciled with my own hands. I know no other way to live. ~ The Virgin Spring (1960), Ingmar Bergman

tinylazything:

Yet now I beg your forgiveness. I know no other way to be reconciled with my own hands. I know no other way to live. ~ The Virgin Spring (1960), Ingmar Bergman

(Source: beatlemeup, via thecocomonster)

(Source: nevver)

Oh, hai. :3

Oh, hai. :3